Prestige 100 & 80
Prestige 100
|
|
Prestige 80
|
ENGLISH STOP LIST
| Great |
|
Choir |
| Double Diapason |
16 |
|
Open Diapason |
8 |
| Open Diapason I |
8 |
|
Lieblich Flute |
8 |
| Open Diapason II |
8 |
|
Salicional |
8 |
| Hohlflute |
8 |
|
Dulciana |
8 |
| Dulciana |
8 |
|
Vox Angelica |
8 |
| Principal |
4 |
|
Gemshorn |
4 |
| Harmonic Flute |
4 |
|
Suabe Flute |
4 |
| Twelfth |
2 2/3 |
|
Flautina |
2 |
| Fifteenth |
2 |
|
Larigot |
1 1/3 |
| Cornet |
III |
|
Piccolo |
1 |
| Mixture |
IV |
|
Zymbal |
IV |
| Contra Fagotto |
16 |
|
Tuba |
8 |
| Posaune |
8 |
|
Clarinet |
8 |
| Clarion |
4 |
|
|
|
| |
|
|
|
|
| Swell |
|
Pedal |
| Bourdon |
16 |
|
Double Diapason |
32 |
| Open Diapason |
8 |
|
Open Metal |
16 |
| Rohrflute |
8 |
|
Open Wood |
16 |
| Echo Gamba |
8 |
|
Bourdon |
16 |
| Vox Celeste |
8 |
|
Violone |
16 |
| Principal |
4 |
|
Principal |
8 |
| Wald Flute |
4 |
|
Bass Flute |
8 |
| Nazard |
2 2/3 |
|
Choral Bass |
4 |
| Fifteenth |
2 |
|
Flute |
4 |
| Flute |
2 |
|
Mixture |
IV |
| Tierce |
1 3/5 |
|
Contra Bombarde |
32 |
| Mixture |
IV |
|
Tromba |
16 |
| Contra Fagotto |
16 |
|
Clarion |
8 |
| Horn |
8 |
|
Octave Clarion |
4 |
| Oboe |
8 |
|
|
|
| Clarion |
4 |
|
|
|
BAROQUE STOP LIST
| Great |
|
Choir |
| Prinzipal |
16 |
|
Prinzipal |
8 |
| Prinzipal |
8 |
|
Flöte |
8 |
| Hohlflöte |
8 |
|
Prinzipal |
4 |
| Dulciana |
8 |
|
Offenflöte |
4 |
| Unda Maris |
8 |
|
Nasard |
2 2/3 |
| Oktave |
4 |
|
Doublette |
2 |
| Spitzflöte |
4 |
|
Terz |
1 3/5 |
| Quinte |
2 2/3 |
|
Larigot |
1 1/3 |
| Superoktave |
2 |
|
Sifflöte |
1 |
| Waldflöte |
2 |
|
Mixtur |
IV |
| Kornett |
III |
|
Regal |
16 |
| Mixture |
IV |
|
Spanische Trompete |
8 |
| Fagott |
16 |
|
Krummhorn |
8 |
| Trompete |
8 |
|
|
|
| |
|
|
|
|
|
|
|
|
|
| Swell |
|
Pedal |
| Gedackt |
16 |
|
Contra Bourdon |
32 |
| Prinzipal |
8 |
|
Prinzipalbass |
16 |
| Rohrgedackt |
8 |
|
Subbass |
16 |
| Gamba |
8 |
|
Gedackt |
16 |
| Vox Celeste |
8 |
|
Violon |
16 |
| Oktave |
4 |
|
Oktavbass |
8 |
| Rohrflöte |
4 |
|
Gedackt |
8 |
| Nasard |
2 2/3 |
|
Choralbass |
4 |
| Blockflöte |
2 |
|
Flöte |
4 |
| Terz |
1 3/5 |
|
Mixtur |
IV |
| Zymbal |
III |
|
Contra Bombarde |
32 |
| Contre Trompete |
16 |
|
Bombarde |
16 |
| Trompete |
8 |
|
Trompete |
8 |
| Oboe |
8 |
|
Schalmei |
4 |
| Vox Humana |
8 |
|
|
|
| Klarine |
4 |
|
|
|
Features
* Three 61 manuals (special liturgic keyboard)
* 32 Notes pedalboard (straight- straight concave- radiating
concave)
* General memories: 12
* Specific memories: 6 for Great, 6 for Choir, 6 for Swell and
6 for Pedal with 8 memory banks ( for a total of 192 combinations)
* HR
* Coupler pistons: II/P - III/P - I/P - III/II - I/II - III/I
Set piston (S) Cancel piston (C) ENC piston
3 pistons for M Solo (Midi Solo)
O. Solo (Organ Solo) piston
A.P. (automatic Pedal)
Tutti
* Midi tabs: Pedal A - Pedal B - Choir A- Choir B - Great A
- Great B - Swell A -Swell B
* Coupler tabs: II/P - III/P - I/P - III/II - I/II - III/I
* Cancel for: Reeds and Mixtur
* Amplification: Console On - Main On - Antiphonal On
* Transposer: -6/+5
* Led meters (display) with 8 positions for Crescendo, Choir
and Swell
* Programmable Tutti and Crescendo
* Pedals: Crescendo - Choir and Swell
* Foot pistons: Memories 1-12 - Couplers (II/P - III/P - I/P
- III/II - I/II - III/I) - Midisustain - Midi Reverse - 32' Flute
Reverse - 32' Reed Reverse - Tutti
* Aux in L/R - Aux Out L/R - Headphones - Midi In - Out and Thru
- Pitch General - Pitch Pedal - Pitch Swell - Pitch Choir
* Drawer panel: Midi Data Filers (3 digital displays) - Rew,
FF, Stop, Play, Pause, Rec., Song +/-, Tempo +/-, Set, Clear, Control
panel (40x2 LCD display), Tab, Midi, Tremulant, Reverb.,Setting,
Page +/-, Cursor +/-, Exit
* Floppy disk
* Rear Panel: Antiphonal Out 1 (+2) - 2 - 3 (+4) - 4, Input
L (mono)/R, External Box Vdc, Main Out: Great (+R)/ R - Choir L
- L (+R)/R - Swell L (+R)/R - Pedal L (+R)/R
* Amplifiers: 5 x 80 Watt
* Loudspeakers: 1 Woofer - 4 Mid Range and 4 Tweeters
* Cabinet and accessories: wood veneered matt polished in dark
or light oak with wooden music rest, wooden locking roll cover and
matching bench.
* Orchestral voices on all departments
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Digital
Technology
